Category Archives: Piano Tuner Bradford

Buying a Piano: New vs Old?

Considering buying a piano and wondering whether to buy a newer vs an older one given the options? Buying a newer piano versus a Victorian-era piano (built roughly 1837–1901, so about 120–190 years old) in the UK involves weighing factors like condition, sound, maintenance, cost, and suitability, with UK-specific considerations such as climate, market dynamics, and regulations. Below is a concise comparison tailored to the UK context.

Newer Piano (Built in the Last 20–30 Years)
Pros:
1. Condition: Made with modern materials and precision manufacturing, ensuring durability, stable tuning, and minimal wear.
2. Sound and Playability: Bright, clear tone and responsive action suit contemporary music. Consistent key feel benefits beginners and professionals.
3. Low Maintenance: Needs tuning 1–2 times/year and minimal repairs. Parts are easily sourced from UK suppliers.
4.  Warranty and Support: Typically includes 5–10-year warranties. UK dealers (e.g., Steinway & Sons, Jaques Samuel Pianos) offer delivery, tuning, and aftercare.
5. Technology: Some models include digital features (e.g., silent practice, MIDI), ideal for noise-sensitive UK urban homes.

Cons:
1. Cost: High upfront cost (£2,500 for entry-level uprights to £40,000+ for premium grands, based on 2025 UK estimates).
2. Depreciation: Loses value quickly, reducing resale potential.
3. Tone: May lack the warmth of aged pianos, as wood and strings are still maturing.
4. Mass Production: Budget models may compromise on craftsmanship.

UK-Specific Considerations:
Climate: The UK’s humid climate (50–70% humidity) is piano-friendly, and newer pianos handle fluctuations well.
Market: Abundant availability via dealers like Forsyth in Manchester or Besbrode Pianos in Leeds. Popular brands include Yamaha, Kawai, and Bösendorfer.
Regulations: Comply with EU/UK environmental standards (e.g., sustainable wood), which may raise prices.

Victorian Piano (Built 1837–1901)
Pros:
1. Historical and Aesthetic Value: Ornate designs, rare woods, and craftsmanship (e.g., rosewood cases) make these pianos decorative or collectible. UK brands like Broadwood or Collard & Collard, and European ones like Bechstein, are highly valued.
2. Unique Sound: Aged wood can produce a warm, rich tone, ideal for Romantic-era music or vintage aesthetics.
3. Investment Potential: Restored, high-quality Victorian pianos may retain or appreciate in value in the UK’s antique market.
4. Lower Initial Cost (Sometimes): Unrestored pianos can be found for £500–£5,000, though restoration is costly.

Cons:
1. Condition and Restoration: Significant wear (cracked soundboards, loose tuning pins, worn actions) is common. Full restoration costs £8,000–£25,000+ in the UK.
2. Maintenance: Frequent tuning and repairs due to aged components. Custom parts are expensive and hard to source.
3. Playability: Worn actions or non-standard keyboards can feel uneven, limiting suitability for modern repertoire.
4. Risks: Hidden structural damage (e.g., cracked frames) may make restoration uneconomical. Requires expert inspection by your Leeds Piano Tuner.
5. Climate Sensitivity: Susceptible to the UK’s damp climate, needing humidity control (40–60%).

UK-Specific Considerations:
Climate: The UK’s humidity and temperature swings can damage antique pianos, requiring dehumidifiers or climate control.
Market: Victorian pianos are plentiful due to the UK’s piano-making heritage. Available via auction houses (e.g., Bonhams) or restorers like Shackleford Pianos.
Regulations: Ivory keys (common in Victorian pianos) are regulated under the UK’s Ivory Act 2018 and CITES. Legal sale requires certification, impacting cost and paperwork.
Restoration Expertise: The UK has skilled restorers (e.g., in London, Oxford), but labor and material costs are high.

Key Decision Factors
1. Budget: Newer pianos have high upfront costs but lower maintenance. Victorian pianos may be cheaper initially but require significant restoration and upkeep.
2. Purpose and Skill Level: Newer pianos suit beginners, students, or professionals needing reliability. Victorian pianos appeal to advanced players or collectors valuing vintage sound.
3. Sound Preference: Newer pianos offer bright, versatile tones; restored Victorian pianos provide warm, unique character.
4. Maintenance Commitment: Newer pianos need minimal care; Victorian pianos demand regular, specialized maintenance, especially in the UK’s climate.
5. Space and Environment: Victorian pianos need humidity control, critical in the UK. Newer pianos are less sensitive.

Practical Steps
Newer Piano:
– Test models at UK dealers (e.g., Chappell of Bond Street, Roberts Pianos) from brands like Yamaha or Steinway.
– Compare uprights vs. grands (uprights are popular in UK homes due to space constraints).
– Confirm warranty, delivery, and included services (e.g., free tuning).
Victorian Piano:
– Hire your Leeds Piano Tuner to inspect soundboard, pinblock, and action.
– Verify ivory key compliance with CITES/Ivory Act documentation.
– Check provenance and restoration history, especially for brands like Broadwood or Bechstein.
– Budget for restoration (consult UK restorers like Piano Workshop) and ongoing care.

Conclusion
– Choose a newer piano for reliability, modern sound, and minimal upkeep, ideal for UK urban or educational settings with a higher budget.
– Choose a Victorian piano for historical value, unique tone, or collectible appeal, if you’re prepared for restoration costs, maintenance, and regulatory compliance (e.g., Ivory Act).
– Test or have your Leeds Piano Tuner assess the piano, and align your choice with your musical goals, budget, and ability to manage the UK’s climate and regulations.

If you’re considering a specific piano in the UK or need local resources, please give me a call or an email!

Busy April, but still open to customers!

It’s looking like a very hectic month for the Leeds piano tuner, be he’s still open to new clients throughout the month and into May. If you could be patient and understanding of his busy schedule, he will book you in as soon as possible – please don’t forget to check the availability page of this website for a regularly updated list of piano tuning availability. A well-earned holiday has been booked in late April which further complicates things – but he will always aim to book you in within a week or two of your enquiry.

Equal Temperament vs Just Intonation vs Well-Temperament

Here’s an interesting video to show how different the modern tuning system of Equal Temperament sounds in comparison to earlier just and well-tempered tunings (a reminder that what we call ‘in tune’ today is vastly different to what previous generations would’ve considered good tuning):

Piano TEMPERAMENT comparison. – YouTube

Of the other tuning systems I’ve tried while tuning pianos, Thomas Young temperament and Werckmeister III were my favourites for the dissonance they added to certain chords (which better conveys the emotion of the music), and the variation between key signatures (something sadly lost in modern tuning). My go-to “Factory Default”, safe piano tuning system as a piano tuner Leeds is Equal Temperament at (preferably) A440 or, if that’s not possible, A435, A432 or A415. This is what the customer’s ear expects and it is guaranteed to be satisfactory. For personal taste, my acoustic piano at home is currently tuned to Thomas Young temperament, as I play a lot classical and like the home keys to sound more pure and for dissonant chords in Chopin and Bach to sound closer to the composers intention.

Happy New Year to my Leeds and West Yorkshire piano tuning clients!

Happy 2023 everyone. 2022 was the most financially successful year on record for me by a wide margin – lots of piano tuning, and new friends and contacts made with various Leeds and Bradford theaters, recording studios, schools and churches – plenty of freshly tuned pianos out there today. It was a delight. Don’t let anyone tell you that digital pianos have superseded acoustic pianos – lots of Luddites and purists out there like myself who can appreciate the sound and feel of a real piano.

On that note, please don’t forget to have your acoustic piano tuned regularly – ideally twice a year. It’s best for the piano tuning stability, its tone and its longevity.

  • – Richard Lidster, Piano Tuner Leeds.

Prices remain the same… for now

Does anyone remember when a can of coke cost 50p, a chocolate bar was 30p and petrol was less than a £1 a litre? Inflation is rather worrying now. My prices will have to stay the same… for the time being. For piano tuning I have to travel long distances (although my main customer base is in Leeds), so I will have to see how cost effective my current prices are with these huge increases in the price of fuel, food, and utility payments. I am always upfront with my prices (everything on this website is wholly up to date) as I find “hidden charges” extremely annoying and wouldn’t want to inflict them on anyone else. But don’t be surprised if in two or three months I have to put my prices up.

Pennies from heaven for the Leeds Piano Tuner

It’s that time of year again – industrious piano students are preparing for their grades and their Christmas concerts and their keen ears require their pianos be tuned to A440. Concert halls, venues, clubs, pubs and restaurants in Leeds and Bradford are busier and require their pianos to be tuned as more and more customers mention it to them. I hope I don’t sound ungracious as I appreciate the increased interest, but a weekend booking might be more favourable right now (assuming you can manage it), as my week day West Yorkshire and Leeds piano tuning slots are being snapped up by the second. Please keep a keen eye on my availability page if you’re looking for a Leeds piano tuner, I’m updating it on a daily basis and it’ll give you a general idea of my schedule at the very least. My number is 07542667040 if you’d find it easier to make an appointment verbally.

I don’t know what it’s like for other piano tuners working in Leeds, Bradford, Wakefield etc, but December appears to be the busiest month for anything musical. I’m being sensible with my bookings and not squeezing too much in – I leave sufficient time to do a thorough job on every Yorkshire and Leeds piano tuning.

Worried about Covid-19? I’m double vaccinated, have caught and defeated the virus in the past (thus have built up the antibodies), am testing regularly (last tested today: negative. Previously tested on Saturday: negative). I will wear a mask upon request and naturally keep two metres distance throughout each visit. I don’t think there’s a safer time to book than now – but the decision is yours!

Turning over a new leaf

Life has been a little bit hectic the last few weeks since my return from holiday. I’ve had lots and lots of catching up to do piano tuning in Leeds, Bradford, Wakefield, Harrogate, York, Morley, Thirsk and many bright and colourful places in James Herriot land – and I’m all the better for it. Because of this my Leeds piano tuner availability page fell by the wayside. I’m trying desperately to update it at least once a day but I regularly have days where I leave the house at 7 AM and arrive home at 10 – 11 PM too tired to log in. If the page has not been modified for a few days its purely because of a busy schedule, not because I don’t want to be doing more piano tuning and repair. If the side note says it hasn’t been updated in a while it might be easier to ask for a few days that works around your schedule, and in all likelihood I’ll be happy to arrange it.

  • Richard Lidster, the Leeds Piano Tuner.

Back to normal hours

No more rest for the Leeds piano tuner I’m afraid, I’m back to my normal routine after a brief sojourn. I’ve updated my availability for the rest of the month. If you’d like to book your piano tuning further in the future, I have lots more availability in November and December (I just haven’t listed any of those hours just yet).

Back home at last

I’ve just arrived home safely after a delightful week in Bettiscombe, Dorset. Far away from civilisation, I had little on my mind this week. Very relaxing. I’m now reinvigorated and eager to start piano tuning once again in Leeds, Bradford, Wakefield and Harrogate. It’s been so long I’d forgotten I’m a piano tuner. The only time piano tuning was of interest was when looking around Forde Abbey House and Gardens on Tuesday morning. The owner had an early John Broadwood from the late 18th century. Quite extraordinary.