Monthly Archives: July 2019

The Piano Tuner’s Library

What does the Leeds and Bradford Piano Tuner do in his time off? Tonight I’ll spend the evening engrossed in study. I always learn something new about pianos every time I pick up one of these fascinating books – there’s always something that didn’t register on the first, second or third readings. The above image shows only half of my collection, there is another box with other engaging reads such as Five London Piano Makers (a charming history of five well-known piano firms: Brinsmead, Challen, Collard, Danemann and Welmar), the definitive Piano Servicing, Tuning and Rebuilding by Arthur Reblitz (every piano tuner must own this book), the PTA’s Handbook of Piano Regulation, and several of Brian Capleton’s concise studies of piano tuning and regulation (which are interesting from a more scientific perspective, particularly if you’re interested in the physics behind beats, harmonic overtones, etc). The Reblitz book actually stays with me in the car at all times, so that if I arrive early to a Bradford or Leeds piano tuning, I can dip in and read it for ten or fifteen minutes to pass some time. Even after working in the piano trade for several years, one can always pick up some second-hand knowledge from these books which helps one repair or restore pianos more efficiently.

 

If you’re a trainee piano tuner (hopefully not a Bradford or Leeds Piano Tuner! I don’t need more competition) who has found this blog post via a search engine I’d start with the Reblitz book and then move on to the Carl-Johan Forss books. Obviously they won’t substitute first-hand experience, but they’ll be an excellent way to supplement a part time piano tuning course. If you’re computer-savvy there are lots of other options online, but I’d be more skeptical about things you read pertaining to piano tuning and repairs on the internet. At least on a piano tuner’s forum other technicians can dispute any misleading information until you’re aware of the general consensus. I have found the advice forum on piano-tuners.org and the piano tuner-technician’s forum at Pianoworld to be useful in this way.

What is a Pitch Raise? Does Your Piano Need a Pitch Raise?

An excellent video, succinctly describing the pitch raise:

If you are a new client, don’t be scared if you are told your piano needs a pitch raise. Often when I see a new piano tuning client in Leeds or Bradford the piano will be far from A440 – particularly if the piano has not been tuned in many years. My philosophy is that any piano that can be brought up to concert pitch should be brought up to concert pitch as it will not only allow you to play ensemble but will greatly improve its tonal quality. On pianos unable to withstand a huge raise in pitch (many pre-1950s are in this camp), there is the cheaper option of ‘tuning the piano to itself’ – the piano will sound much, much better even with this type of tuning, but if the piano was constructed to be tuned to A440 then its tone will be at its best once it is tuned to that pitch.

For a pitch raise I have to make two seperate visits, two weeks apart. For the first tuning I do a overpull, raising the bass section slightly sharp (between 1 – 3 cents) and the middle and treble sections further sharp (usually 8 – 15 cents depending on how flat the piano was). A pitch raise always involves at least two tunings – an overpull tuning and a fine tuning. Some piano tuners do both on the same day, but I and many others have found better results if you space the two over a couple of weeks. This makes no difference to the pricing either, as a pitch raise generally costs an extra 50% of a standard piano tuning.

My pricing for a pitch raise:

  • Vist number one, overpull: £45
  • Visit number two, fine tuning: £20

 

I hope this clears things up. For further questions call me on 07542667040 or email me at richard@pianotunerleeds.co.uk